Our stimulating degree programmes are delivered by our team of academics, technical demonstrators and invited experts who together deliver excellence in teaching. You’ll learn from real industry professionals, to ensure your future success in the fast-paced creative industries.
Stephen Felmingham is an artist and educator and has lectured extensively in drawing, painting, print and contemporary art practice on undergraduate and postgraduate programmes across the UK, including Falmouth University, Norwich University of the Arts and Leeds Arts University. He studied at Middlesex University and the University of the Arts London (Wimbledon) where he completed an MA in Drawing in 1999. He gained his doctorate from the University of Leeds in 2014 reading drawing, place and the contemporary sublime.
He was nominated a member of the LAND2 Research Network in 2009, was shortlisted for the Jerwood Drawing Prize in the same year and was a finalist in the Celeste Art Prize, New York, in 2010. He speaks regularly both on drawing and art and design pedagogy and his work is represented in collections nationally and internationally and he has exhibited widely in the UK and in Europe.
He has an active research interest in creative pedagogies, specifically research-led learning and alternative art school models and he leads on projects that work in and for communities, introducing this into socially-engaged art and education and connecting organisations (artist-led initiatives, community organisations, public and philanthropic funders) who are working with the agency of creativity in the social realm.
His research outputs have developed over the last three years into outward facing social practice projects, including work with refugee communities that cohere with the College’s strategic aims of creative pedagogy and social justice. Much of this work has positive impact in the College community as well as internationally, including co-founding Beyond the Now, a syndicated online platform working in locations across Europe, the MENA region and the Global South to open new creative, cultural and political affinities for a post-pandemic world.
Judith Noble is Head of Academic Research at Arts University Plymouth. She is joint coordinator of the Black Mirror research network with Dominic Shepherd (AUB), Jesse Bransford (NYU Steinhardt) and Robert Ansell and Merlin Cox (Fulgur). Her research interests centre on experimental, avant-garde and artists film, Surrealism and the occult and magic. She has published extensively on Maya Deren and on Kenneth Anger and Derek Jarman. Judith founded and is a member of the Inner Space Exploration Unit (ISEU) an artists’ project with members from AUP, the University of Cambridge and Arts University Bournemouth that makes practice-led collaborative research that is published online and exhibited physically.
She has recently completed work on Maya Deren and Surrealism and has published extensively on Deren’s work. In 2014 she organised the Visions of Enchantment conference with Dan Zamani and Rachel Parikh. Before returning to Higher Education in 2007, she worked for many years in arts funding and the film industry. From 1984 - 96 she was Film and Television officer at South West Arts; from 1996 - 2001 she was Chief Executive of the South West Media Development Agency and from 2001 - 2006 she was Head of Production at Sgrin Cymru Wales, where she was responsible for executive-producing and developing feature films supported by the Wales Lottery Film Fund. These included Peter Greenaway’s Tulse Luper Suitcases trilogy (in competition at Cannes and Berlin 2002 - 4), Amma Asante’s A Way Of Life (BAFTA winner 2005), Patagonia (Gruff Rhys) and Sleep, Furiously (Gideon Koppel). In 2007 she joined the staff of the BA (Hons) Film Production course at Arts University Bournemouth. She held an AUB Research Fellowship in 2010-11, trained as a PhD supervisor and became Course Leader for BA (Hons) Film Production in 2014 before taking up her current post at Arts University Plymouth.
In her role at Arts University Plymouth, Judith is responsible for the development of research culture and provision: devising and implementing research policy and strategy; developing and managing staff research; coordinating and developing research groups; managing major projects; and is joint editor of Making Futures online journal.
Judith is a Member of the International Society for the Study of Surrealism and the Modernist Studies Association. She is a trustee of Plymouth Arts Cinema and a director of Pagan Phoenix SW. Judith holds an MFA from Reading (1980) and a BA (Hons) in Fine Art from Nottingham Trent (1978).
Paul contributes to the development of an emerging research culture at the university, and is Chair of the Research & Enterprise Committee. He is a Fellow of the Royal Society for Arts (RSA) and a Senior Fellow of the Higher Education Academy (HEA). His own research includes both practice-based and pedagogic strands of enquiry, relating primarily to the production of and consideration for, artefacts within an expanded field of contemporary drawing practice; and to the discourses that inform new perspectives on collaboration and interdisciplinary learning in and through art and design higher education.
His studio practice is largely concerned with landscape and place-oriented practice, and the materiality of drawing, with his work exhibited through a wide range of related projects including Anonymous Drawings Archive, Kunsthaus Kannen Museum for Outsider Art and Contemporary Art, Münster, Germany (2019); Imagined Landscapes, Royal West of England Academy, Bristol (2016); Drawology, Bonnington Gallery, Nottingham (2013) and Lanchester Gallery, Coventry (2014); and in a range of public gallery and museums including The Holburne Museum of Art, Bath; The Herbert Art Gallery & Museum, Coventry; Swindon Museum and Art Gallery, Swindon; The Sainsbury Centre for the Visual Arts, Norwich; and The British Council, Barcelona. Paul has exhibited in the UK, Germany, Denmark, Spain, Switzerland, Japan and Australia, and has works in both public and private collections.
Paul is currently on the editorial board for the international journal Drawing: Research, Theory, Practice published by intellect, and was previously a co-director of the international drawing visualisation and research journal Tracey, published by Loughborough University (2011-2014). More recently he has contributed peer-review for The Journal of Visual Arts Practice published by Routledge. He has contributed numerous articles and papers to international journals and conferences including: The Journal of Art, Design & Communication in Higher Education; Drawing: Research, Theory, Practice Journal; Tracey: Drawing and Visualisation Research Journal; UWE Drawing Research Symposium, University of the West of England (2019); Group for Learning in Art & Design (GLAD), Manchester Metropolitan University (2017); Arts Without Borders, Helsinki University of the Arts, Finland (2016); and ENACT: Learning in/through the Arts, 7th ELIA Teachers’ Academy, Netherlands (2015).
Mohini Chandra’s work on the international flows of people and culture in our globalised world has been exhibited in venues such as the Asia Society and Museum (New York), the Queens Museum (New York), the Courtauld Institute of Art, the Whitechapel Art Gallery, the Centre for Contemporary Photography (Melbourne) as well as the First Johannesburg Biennale, Photo Kathmandu (Nepal), in ‘Now! Now!’ at Chelsea College of Art (presented by Iniva and BAM) and the Casula Powerhouse Museum, Sydney.
Mohini’s work was recently recognised in the Hundred Heroines-Women in Photography Award and a nomination for the Jarman Film Award. She has also received awards from the Arts and Humanities Research Council (AHRC), Autograph ABP, the Arts Council England, the British Council, the Australia Council for the Arts and Asialink. Recent projects made in the Pacific region and in India have been exhibited at the Third Oceanic Performance Biennial (Auckland) the Biennial Focus Festival of Photography (Mumbai) and the Houston FotoFest Biennial. She has recently been awarded an Art Council/National Lottery grant for her project ‘Paradise Lost’ which examines the complexities of colonial seafaring through the archaeology of shipwrecks, as well as a commission from Autograph for a new moving image work ‘Belated’, which explores the recent global pandemic.
For Mohini, the combination of photography, found and archival material, moving image, sound and other installation media enables the visual expression of personal experience and a ‘mapping’ of alternate narratives within the complex conditions of globalisation. Her research encompasses both thinking and making around photography through a range of curatorial, writing and publishing projects. Her recent article Plane Views was published by Taylor and Francis in the Journal of Photography & Culture, while artist publications include the photobook ‘album pacifica’, published by Autograph and ‘Day of Shadows’ published by the Artist Book Collective/Amsterdam Fund for the Arts.
Her work is held in international collections including the Arts Council Collection UK and included in major survey publications such as Phaidon’s Art and Photography by David Campany and Bloomsbury’s Photography in India in Light Years and Digital Times, by Aileen Blaney & Chinar Shah.
With a PhD from the Royal College of Art, and with extensive undergraduate and postgraduate teaching experience both in the UK and abroad, Mohini has a depth of experience in successfully integrating research and professional experience into the academic and studio-based learning environment.