Research & Knowledge Exchange Repository
Arts University Plymouth’s research community benefits from an unique environment dedicated to practice-led creative inquiry within a world-class suite of material and digital resources which provide evolving opportunities for original scholarship and innovative outputs.
This journal article examines the transformative role of Artificial Intelligence (AI) in game art higher education, with a focus on its impact on creativity, pedagogy, and ethical considerations.
This conference presentation explored the evolving role of Artificial Intelligence in creative education.
Artificialia is a practice-led exploration of mineral collections, reinterpreting historical artefacts through sculpture, print, and objects to examine authenticity, heritage, and contemporary display practices.
In 2023, Ocean at The Levinsky Gallery brought together science and creativity through commissioned works exploring Drake’s Island, Eddystone Lighthouse, and Plymouth Sound’s underwater world.
Group exhibition piece featuring twenty-one cardboard rocks referencing 19th-century Pulhamite. Mailed to MIRROR, Plymouth to form the Wall of Wonder, each bears postal marks, travel traces and firework-scorched remnants from earlier displays.
A performance lecture investigating abjection, ritual, and care through feminist theory and material practices. Explores memory, mourning, and object agency via embodied gestures, speculative assemblage, and the deep imaginal.
Ephemer(e)ality Capture: Glitch Practices in Photogrammetry details artistic practice using cloud-based photogrammetry that actively invokes glitches through disturbance of the imaging algorithm by utilising optical phenomena. Reflective, transparent, specular and patterned/repetitive objects were used to confuse the imaging algorithm to produce spikes, holes and glitches in the mesh and textures of the 3D objects produced. The research tests the limits of photogrammetry in an effort toward new image-making methods. It builds upon the research of Hito Steyerl’s Ripping Reality: Blind spots and wrecked data in 3D in which she outlines the errors of 3D scanning media in her work and contextualises amongst thought surrounding the objectivity of photographic media.